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POTTER, Paulus
Cows in a Meadow af
Oil on canvas
Rijksmuseum, Amsterdam
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POTTER, Paulus
Diederik Tulp af
1653
Oil on canvas
Collection Six, Amsterdam
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POTTER, Paulus
Four Bulls qgq
Oil on wood, 57,5 x 67,5 cm
Galleria Sabauda, Turin
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POTTER, Paulus
Horses in a Field zg
Oil on canvas
Rijksmuseum, Amsterdam
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POTTER, Paulus
Peasant Family with Animals F
1646
Oil on wood, 37,1 x 29,5 cm
Alte Pinakothek, Munich
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POTTER, Paulus
Resting Herd a
1652
Oil on oak, 35,5 x 46,5 cm
Gemäldegalerie, Dresden
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POTTER, Paulus
Landscape with Shepherdess and Shepherd Playing Flute af
1642-44
Oil on wood, 67 x 114,5 cm
Museum of Fine Arts, Budapest
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POTTER, Paulus
Landscape with Shepherdess Shepherd Playing Flute (detail) ad
1642-44
Oil on wood
Museum of Fine Arts, Budapest
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POTTER, Paulus
The Spotted Horse af
Oil on wood, 30 x 41 cm
Mus??e du Louvre, Paris
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POTTER, Paulus
The Farm af
1649
Oil on panel, 81 x 116 cm
The Hermitage, St. Petersburg
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POTTER, Paulus
Young Bull zg
1647
Oil on canvas, 236 x 339 cm
Mauritshuis, The Hague
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POTTER, Paulus
Two Cows a Young Bull beside a Fence in a Meadow
1647
Oil on panel
Art Institute of Chicago
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POTTER, Paulus
The Bull
1649
Gemäldegalerie, Berlin.
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POTTER, Paulus
A Farm
1649
Oil on panel
The Hermitage, St. Petersburg.
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POTTER, Paulus
Watchdog
Oil on canvas
The Hermitage, St. Petersburg.
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POTTER, Paulus
The Piebald Horse
1650-54
Oil on canvas
J. Paul Getty Museum, Los Angeles.
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POTTER, Paulus
Two Drafthorses in Front of a Cottage (mk05)
1649
Wood 9 1/2 x 10 1/4''(24 x 26 cm)Seized in the Revolution INV
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POTTER, Paulus
Peasant Family with Animals (mk08)
1646
Oil on panel
37.1x29.5cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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POTTER, Paulus
Watchdog
mk60
Oil on canvas
38x52"
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POTTER, Paulus
A Farm
mk60
1649
Oil on panel
32x45 1/2'
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| POTTER, Paulus
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Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
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